In Staye Sgepe (2015) is part of a series of pieces that mix unsystematic notation (undefined extensions of conventional notation) in a framework of simple forms and varying repetition. The performers themselves determine the meaning of some of the notation, maintaining a flexible ensemble dynamic that adapts as it goes. This piece deals with noise and resonance, both real and imagined. The title is an invented phrase from a nonexistent language.
(eight pages, 8.5x11)
